Color theory

Goethe began this unique work from his personal background as an artist and writer who deals with sensory data as aesthetic elements and not purely physical manifestations, in order to correct and discuss Newton''s perception, which encouraged the emergence of a reductive physical climate, which attempts to deconstruct the perceived phenomena instead of dealing with them as an integrated entity, and takes away the impressionistic and sensory aspect. It has no scientific value even in the world of physiology. The writers who dealt with Goethe''s color theory limited their notes to those parts in which they were concerned with interpreting the colors of the prism spectrum as well as the colors of reflection based on principles different from Newton''s traditional theory. As for the advantages that did not receive much discussion in this research, and are characterized by a consistent structure of observations and experiments, many of which are important and notable, they have been largely neglected until now. Therefore, it would have been better to present the entire work without any spoilers, because some scholarly readers might be more curious to listen to the author himself express his opinion regarding less prominent points than they would be eager to read what they had heard before.